Pearls From the Manure Pile #3 February 2010

In my last “Pearl” I discussed the importance of FORWARD MOTION.  In this article I wish to elaborate a bit more on it’s importance and application.

Let us take a 1000 lb horse as an example. This horse will carry approximately 400 lbs on the hind legs and 600 lbs on front legs plus the rider and saddle. This is very hard on the horse. It causes more stress on the front legs and over time can lead to soundness issues.  One of the main goals of good horsemanship is to transfer some of the weight from the front legs to the hind legs, making the horse more balanced. To do this the horse must engage meaning bringing his hind legs deeper towards his center of gravity.  The deeper the horse steps with his hind legs towards his center of gravity (see diagram#1) the more his weight is equally distributed. In order to be engaged the horse must round his back, lower his croup and raise his withers.  A raised front end does not mean a higher headset. The headset is a reflection of the hind end. If the hind end is engaged, as it should be the height of the head and neck of the horse will be where it is supposed to be.  The headset actually comes from the correct placement of the hindquarters, not from the bit. You can often see a horse with his head set and not engaged at all. He will be hollow backed and traveling way behind with his rear legs. This is called a false headset and an undesirable movement. This is a common fault in today’s western pleasure horses most often in the more up headed breeds. It is hard on the horse and a fault of the rider.

So why am I discussing engagement and balance when I wanted to discuss forward motion? Because you cannot have forward motion unless you have engagement. It is the engagement that gives you the “torque” needed for the forward motion that we discussed in my last “Pearl.”

This engagement must be alive in all three gaits, the walk, jog/trot and the lope/canter. There is a totally different feel to the rider when a horse is engaged. It is a feeling that the horse transmits back to the rider’s seat, legs and hands. As an example the reins will be much softer in the rider’s hands. This is because the horse is able to carry himself in better balance.  This is the beginning of self-carriage and collection. When you feel the ride of a horse in balance and carriage you will not forget it. As a rider you become part of the partnership, not just a passenger.

Another important thing to remember is that you cannot make a proper turn with out forward motion.  When executing a turn you have put a momentary block on the horse’s forward movement. To complete the turn the rider must ride every step of the horse through the direction of the turn to over come the initial block. The rider’s hands give the horse direction but it is their seat and legs that create the forward motion.

To slide stop you must have forward motion, to back properly you must have forward motion. Both these maneuvers must have deep engagement of the rear end. You cannot get a good slide stop or a good back with out it.

Any maneuver created by horse and rider must have forward motion to be executed properly.

So we now know that to have forward motion we must have torque created by engagement of the hind legs. How do we school for that engagement? Here is an easy way to tell if your horse is engaged or not to and an exercises that will help you and your horse.

When watching a horse move look to see where the hind feet fall. The hind foot should land close to the track of the front foot. The closer the hind foot track is the front foot track the more engaged the horse is.  You can also look at the disengaging steps of the hind leg. As the hock moves back does it pass behind the fall of the tail. To be engaged the hock should reach back just to the fall of the tail.  If it passes behind this mark, the horse is disengaged.  The extra distance behind the tail is wasted energy.  It cannot or does not support the horse in any way.  This means more stress is being put on the front legs with a hollow weak back as well.

The Circle:

The circle is the first step to teach a horse to shift his weight back to the inside hind leg.

Start a circle at the walk.  You will probably want to make a larger 40’circle at first. Keep the horse bent to the shape of the circle. Your horse’s bend should mirror the shape of the circle. The inside rein will direct the horse and will bring the head and neck slightly to the inside of the circle. Your inside leg will push the rib cage to the outside of the bend. Your out side leg will keep the haunches from drifting away from the bend.

While on the circle the horse’s inside hind leg must step deep underneath him self.  As you school in the circle ask the horse to make a smaller circle. As the circle becomes tighter or smaller the horse will become more and more engaged in order to make the circle. During the exercise you can make the circle bigger and smaller as you walk.

REMEMBER in a circle you want to keep your horse straight up and down all the time. If the horse starts leaning into the circle by dropping his inside shoulder, pick up the shoulder with your inside rein and shift your weight towards the outside hind leg of the horse.

Be sure to do this in both directions. A circle sounds easy but to keep the ribcage out, the haunches in, the shoulders up all at the proper bend is multitasking and takes some practice to do it correctly.

The circle exercises the muscle and the mind of the horse.  The engagement you are seeking will become easier with muscle conditioning and the developing muscle memory.

Until next time Happy Trails. 

Read more of "My View From the Manure Pile" Training Tips & Thoughts" by clicking here:   http://www.cowboydressage.com/view.html 

 

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  • Saturday, February 13, 2010 6:04 PM Katelyn Kent wrote:
    I just returned from spending a week with Eitan. It is important to understand how consistent and effective working of the muscle of the mind (creating the neuro-connection needed to assist the development of the mind of the muscle),is the key to building a physically and mentally fit and balanced horse. Eitan showed how work on a circle provides a rhythmic and reliable environment for positive learning. I believe that even though a horse can learn and develop when under stress, what the horse might learn is not something I would want him to know. Only when the horse is relaxed and moving freely can positive learning and development occur. Working on a circle works.
    I have heard some say that the repetitive work on a circle is boring to the horse and can result in a four beat canter and disunited gaits. I will wager that those that have gotten that kind of result from working on a circle lacked the knowledge of what a horse on a circle should look and feel like. Every movement from the most elementary to the most advanced can be successfully and correctly set into a horse or rider in a simple round pen. Iwould like to note that variety is the spice of life and Eitan does as much work in the hills as he does on the flats, but the when things start to fall apart, returning to the simplicty and comfort of the circle helps the horse or rider regain balance and confidence.
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